Communication and motivational skills Essays

Correspondence and inspirational aptitudes Essays Correspondence and inspirational aptitudes Paper Correspondence and inspirational aptitudes Paper Inspiration is huge factor reasonable all levels and ages for instance a youngster could have a totally unique inspiration from a grown-up. A major piece of what spurs youngsters is reasonableness in what they are doing Barnes, P (2002) where as a grown-up contender would have an alternate inspiration as winning the association or getting a reward in there pay for playing admirably. Yet, in the event that you can locate the various viewpoints that will propel your gathering of people the best. To be compelling at you job as a pioneer or mentor you need to take a gander at your group and choose which technique for inspiration to utilize. Barrett, J (1998) proposes that you need to either utilize the carrot or the stick. The carrot being giving your group acclaim and stick being yelling at them and ensuring the individual or group comprehends what they fouled up. Also, this is the place you see great mentors exceed expectations, as they can isolate when and at what time to utilize these two unique kinds of inspiration. At the point when you see what prevents an individual from being an effective pioneer there is numerous snags that a pioneer needs to over come, for example, Insincerity, preference, absence of Motivation, absence of acknowledgment, helpless reaction, or no reaction, absence of time Carling, W (1995) we see there that inspiration or an absence of it is an explanation that a pioneer won't be fruitful or even in any event meet there potential. So to be able to persuade a group is indispensable without this property you will always be unable lead a group to any viability whatsoever. Without this property the colleagues be not able to reach there maximum capacity without the correct inspiration. Players react diversely when spurred without it they will look level and work to the most minimal of there capacities. Without the inspiration of your players you will never be a powerful pioneer the individuals around you will just not reach there potential. When searching for the distinctive contributes of a decent pioneer it will consistently return to inspiration and correspondence of the pioneer. All through this paper we have seen the distinction that having great correspondence can have on a pioneer. You see this in all the top heads day in day out. We see could pioneers in football, for example, the administrators who are constantly in correspondence with here players arriving sees across and ensuring that they are playing out the strategies that they have set. Where as though you take a gander at less fruitful chiefs, for example, Sunday class football you would see group mentors who are not spoken with different players which is so significant for progress. Without this significant correspondence it is practically sure that there will be no persuasive characteristics in the mentor. We see the significance of a pioneer to have the option to inspire his gathering with the goal that they meet their objectives. We see this in mentors he when there group possibly be down at half time he can take them to changing rooms and inspire his players into placing in better exhibitions. This is an indication of a successful mentor or pioneer. With a mentor or pioneer who discusses will with the gathering of individuals you can see the certainty that a pioneer has from his gathering they will no that he is a could pioneer or mentor thus will work at there best for him. We see these compelling mentors or pioneers wherever you look when at school your educator at school was a pioneer, your nearby mentor can be a successful pioneer he my not look tantamount to those in the prevalence yet they can be similarly as viable as them with there group. So in taking a gander at all of the successful pioneers that there is on the planet it is crucial for them to have a fitting degree of co rrespondence and persuasive aptitudes.

Epidemic vs. Pandemic vs. Endemic

Plague versus Pandemic versus Endemic Plague versus Pandemic versus Endemic Plague versus Pandemic versus Endemic By Maeve Maddox The terrifying episode of the Ebola infection in West Africa has stood out as truly newsworthy like these an every day sight in papers and on news locales everywhere throughout the world: Ebola Epidemic Ravages West Africa Leave endemic Ebola zones †Germany tells nationals Americans dread pandemic as Ebola patients empty to Atlanta The component dem in plague, endemic, and pandemic originates from the old Greek word demos, which implied individuals or region: epi (among) + demos = plague en (in) + demos = endemic dish (all) + demos = pandemic A plague is an across the board event of an irresistible infection in a network at a specific time: Yearly flu scourges follow a winter occasional example in the United States with run of the mill movement topping during late December to early February.â An extraordinary influenza pestilence spreading the country over has just caused significant damage in Michigan.â H1N1 Flu Epidemic Fills Up Texas Hospital Beds And ERs Endemic is a descriptive word that alludes to a sickness or condition routinely found among specific individuals or in a specific zone. In numerous jungle fever endemic nations, intestinal sickness transmission doesn't happen in all pieces of the country.â Polio stays endemic in three nations †Afghanistan, Nigeria and Pakistan. Pertussis is endemic around the world, even in zones with high immunization rates. A malady becomes pandemic when it spreads past a locale to contaminate huge quantities of individuals around the world: The Black Death was one of the most exceedingly awful pandemics in mankind's history, executing at any rate 75 million individuals on three continentsâ The Franco-Prussian Warâ triggered a smallpox pandemic of 1870â€1875 that asserted 500,000 lives. The 1918 Spanish flu pandemic [is] assessed as being liable for the passings of roughly 50â million individuals or more. The word pestilence is likewise used to allude to an event of any bothersome wonder: Youngster Prescription Drug Abuse: A National Epidemic Dont alarm, the young pregnancy scourge is finished! Components Contributing to the Youth Violence Epidemicâ An Epidemic of Stupidity is Sweeping America Need to improve your English in a short time a day? Get a membership and begin getting our composing tips and activities every day! Continue learning! Peruse the Misused Words classification, check our well known posts, or pick a related post below:70 Idioms with HeartThe Possessive Apostrophe5 Tips to Understand Hyphenated Words

A Comparison of Styles and Settings essays

A Comparison of Styles and Settings expositions In the short story Trooper's Home, by Ernest Hemingway, Kreb's dismissal of his locale's qualities can be identified with Sammy's relationship to his market work in John Updike's A he never lets perusers become individual or passionate to Kreb's. Where in A unky kid, with a decent tan, and a sweet wide delicate looking can, with these two sickles of white simply under it, where the sun never appears to hit, at the highest point of the backs of her legs (480). Remarks about the young ladies like this one gives Updike's A&P an energetic silliness for perusers to appreciate. Another case of this is when Sammy ponders internally, She didn't glance around, not this sovereign, she just strolled straight on gradually, on these long white prema-donna legs (481). Proclamations like this gives perusers lighthearted element and all through the remainder of the story he alludes to this pioneer of the young ladies as Queenie. A case of when Sammy alludes to her is the point at which he says, Queenie becomes flushed, however perhaps it's Hayes 2 possibly only a brush of burn from the sun I was seeing just because, since she was so close (483). There is no carefree or elevating contemplations given from Krebs in Warrior's Home simply genuine, cool , not all that upbeat explanations for instance, Krebs obtained the sickness I... <!

Intrauterine Growth Restriction and Small for Gestational Age

Question: Examine about theIntrauterine Growth Restriction and Small for Gestational Age. Answer: Presentation Intrauterine development limitation is alluded to as the condition where the embryo neglects to accomplish the potential size that it has been resolved to accomplish. In obstetrics, it is normal practice for the determination of intrauterine development limitation as it raises the danger of mortality during the pre-birth periods. Not at all like in the SGA, ultrasound biometry is utilized to survey amniotic liquid just as the fetal size. Melchiorre et al. (2009) contends that IUGR results from the ceaseless deficiency of uteroplacental. As indicated by Garca De Miguel et al. (2010), an IUGR baby shows an essential distinction in perinatal results that are unfriendly, dissimilar to for SGA embryos. IUGR is related with a fetal basic deformity, contaminations and uteroplacental brokenness which is viewed as the most widely recognized reason. IUGR embryo doesn't accomplish the normal client development potential because of hereditary or natural components. Little for gestational age (SGA) has been portrayed as development inside the tenth percentile for weight of each hatchling inside that gestational age (Melchiorre et al., 2009). SGA babies show up neurologically and genuinely develop than others of the equivalent gestational age. SGA happens because of development issues like of essential supplements and oxygen. It very well may be analyzed through ultrasound, gestational appraisal, cardiotocography, moms weight addition and Doppler stream which utilizes the sound wave to gauge blood (Sanz-Cortes et al., 2015; Melchiorre et al., 2009). Melamed et al. (2016) bring up that SGA antenatal analysis decline neonatal mortality. Little newborn children of SGA are those underneath tenth percentile normal load because of established elements including maternal statures, weight, ethnicity, and equality. There is an abatement in danger of perinatal mortality or dreariness. References Garca De Miguel, L., Rodriguez, N., Sebastiani, G., Daz, M., Ibez, L., Gmez Roig, M. (2010). OP01.10: Intrauterine Growth Restriction (IUGR), little for gestational age (SGA) and postnatal development at twelve and two years of life. Ultrasound In Obstetrics And Gynecology, 36(S1), 54-55. https://dx.doi.org/10.1002/uog.7932 Sanz-Cortes, M., Simoes, R., Bargallo, N., Figueras, F., Gratacs, E. (2015). OC10.04: Brain metabolic contrasts evaluated by MR spectroscopy in neonates conceived at term little for-gestational age and with intrauterine development limitation. Ultrasound Obstet Gynecol, 46, 22-22. https://dx.doi.org/10.1002/uog.15017 Melamed, N., Pittini, A., Kingdom, J., Barrett, J. (2016). 163: Sonographic factors recognizing late intrauterine development limitation from late little for gestational age hatchlings. American Journal Of Obstetrics And Gynecology, 214(1), S104-S105. https://dx.doi.org/10.1016/j.ajog.2015.10.199 Melchiorre, K., Leslie, K., Prefumo, F., Bhide, A., Thilaganathan, B. (2009). First-trimester uterine course Doppler records in the expectation of little for-gestational age pregnancy and intrauterine development limitation. Ultrasound In Obstetrics And Gynecology, 33(5), 524-529. https://dx.doi.org/10.1002/uog.6368

Ideal Student Essay

Statement: I understood that the main reason to upset is to have the option to adore who you need, how you need, when you need and where you want†¦ Idle understudy: A perfect understudy is somebody who is hungry for information. Such an understudy won't be occupied in class. After all that is the thing that each instructor desires.This hunger for information will guarantee that she is mindful and is resolved to gain proficiency with all that she can about a specific subject so she can comprehend it completely. A perfect understudy will likewise have certain other distinctive characteristics. She will have well †characterized objectives throughout everyday life and her exertion will be to take the necessary steps to accomplish these objectives. For example, on the off chance that you ask her what she tries to be, she will have a prepared answer. What's more, she will have a valid justification for what she tries to be. She will likewise have an away from of what is important to achieve her objective. A perfect understudy will regard her educators yet won't fear them. She will have the boldness to concede her numbness and request counsel and heading in the event that she needs it. She won't be the sort of individual who acknowledges things aimlessly and learns through repetition. She will attempt to get a handle on ideas and in the event that she thinks that its troublesome, will have the certainty to move toward her instructors for more data. She will be dynamic in numerous things for she comprehends that one ought to have a well †adjusted character. She will have character more than all else for it is character that makes a person’s fate. She will contend just with herself and on the off chance that somebody looks for her assistance in class, will show no dithering in giving it. A perfect understudy will watch discipline. She will be timely and appropriately dressed. She won't missing herself from class for senseless reasons and will get her work done day by day. She will be slick and clean and watch etiquette in class. Youngsters are the abundance of a nation.A Nation that delivers an age of capable and dedicated youth walks ahead on the way of progress.However making quality residents is no simple errand and can't be accomplished overnight.The initial step for that is to create perfect understudies in our schools. These perfect understudies would proceed to become perfect residents. Who is a perfect understudy.? There isn’t one unequivocal response to that on the grounds that there are numerous characteristics that together characterize a perfect student.The most significant nature of a perfect understudy is that for him. the chief obligation of his school life is to study.He concentrates routinely and strives to improve hisâ performance in every test. However, his target of examining isn't to just score great stamps or secure a high rank.Beyond that he has a hunger for information , an enthusiasm to become familiar with all that he watches. Aside from examines, a perfect understudy effectively gets includes in different exercises. He is acceptable in expressions and sports and normally partakes in intra and bury school events.He is a functioning individual from different clubs in the school and aides in sorting out occasions. In any case, taking an interest in rivalries and winning occasions isn't the main enormous thing throughout everyday life, and a perfect understudy realizes that very well.Virtues like graciousness, compassion,respect , genuineness, trustworthiness, pleasantness are similarly significant in todays world, and these characteristics are found in wealth in a perfect understudy. He treats his folks, educators and seniors with deference, and talks affably to everyone. In the midst of emergency for his companions, he is the main individual to remain by them. He never brags of his accomplishments and never gets discouraged by his disappointments. He is constantly happy and keeps up a positive way to deal with life.He spreads expectation and joy any place he goes. In short his direct is appreciated by everybody. A perfect understudy is an insatiable peruser. He peruses the paper normally and is very much aware about the occasions and happenings in different pieces of the world. He additionally understands magazines, noels and short stories.he has an amazing handle of the language and is truly adept at imparting things to others.Last yet not the least, a perfect understudy cherishes his folks and relatives without a doubt and does as much as possible to support them and to keep them glad. He never squanders his parents’ hard-earned cash and accepts that information is the greatest riches he can acquire.An perfect understudies grows up to be an advantage for his family, his general public and the country.If just the entirety of our schools couls produce an ever increasing number of perfect understudies, our nation could accomplish colossal advance and become the jealousy of the entire world..

3 Essay Topics To Use For Spring and Summer

3 Essay Topics To Use For Spring and SummerEssay topics for spring and summer 2020 may include different topics, although the top three most popular are still going to be topics related to teaching or learning. All students may not be on the same schedule, so depending on your teaching schedule it will be up to you as to what you choose to write about.Before you begin to choose a topic, you should first decide on what type of class you have been teaching. You can choose to write about one of the things that you feel are most important in your class such as lesson plans, grading, or just overall interest in the class. Many times students need more help than you give in their first year of college and this is where subject-based classes come in. These classes focus on a certain area in your class that is needed and they teach students how to manage their time, organize their materials, organize their class and the like.One of the best ways to gauge your students' interest is to see if they took the time to read up on the topic or even the previous semester. If they have done either of these things, you should be able to figure out what you are teaching in your class based on what they want to learn. So before you begin to choose an essay topic, let's take a look at some of the topics most commonly used by your students in the first year of college. These topics are all about learning.One of the first topics most students want to learn about is the Korean language. It is considered one of the most important subjects for every first year of college because it is one of the main reasons why students continue to come to school. It is also the subject that most students are most passionate about, so this is also a great topic for your first essay.When writing an essay about the English language you can go with one of the oldest subjects around. Many students like this subject because it is something that they already know how to do, so they don't need to learn new con cepts when they get to college. This means that you can write an essay on an English topic that you've already done before because you already know what to talk about.Once you know the topic of the class you'll want to try to get involved in the class so that you can make sure that your students are getting the help they need and this is where participation comes in. Students enjoy participating in class activities, such as projects, in the first year of college. They love to do these projects because they get to help the professor and they get to learn too.Mathematics is also an important subject for many students, so it is an excellent topic for your first essay. Students love math and they usually love doing math problems. For this reason this is a great topic for your first essay. You'll also want to make sure that your students know the basics of mathematics because they could become a big challenge to many students in the future.The key is to choose a topic that will engage yo ur students and make them want to learn more about the topic. When choosing a topic for your first essay, it will be easier to keep with the topics you have chosen so far, but if you choose a topic that has a unique twist you might find that your students are excited about it. Depending on how much time you have and how much depth you want to cover will determine how many topics you choose.

Dracula The Self-Aware Mass of Typewriting - Literature Essay Samples

The era of industrialization ushered in new ways of disseminating and creating art. Along with technological innovation come the anxious reservations of aesthetic purists. These reservations stem from wariness about the dehumanizing effect of mechanical reproduction and a sense of powerlessness over the work of art in its mediated form. In the aftermath of the printing press, writers and artists have struggled to understand this new phenomenon and its effect on the creation of texts. Two texts, Bram Stokers Dracula and Walter Benjamins Art in the Age of Mechanical Reproducibility reflect this towards technology and its effect on the art of writing.In his essay, Benjamin focuses on how the shape of art and its reception have changed in an age of technological reproduction. He also assesses the effects of this new artistic medium on an increasingly evolving public. Simply put, mechanical reproducibility has allowed for the proliferation of copies of art. This has dissolved the validity of the concept of originality in art. There is a rejection of traditional functions of art in favor of new and more expansive functions. Art is now a product for mass consumption and loses its uniqueness, its aura. Benjamins discussion of authenticity is interesting for what implies about the power of an original. He begins by stating, the presence of the original is the prerequisite to the concept of authenticity. (220) The authenticity, then, depends on the existence of an original, a beginning point from which all other reproductions will measure up to. All authority derives from this authenticity. This is how art has been traditionally valued. This reliance on the original for authority has implications in terms of the authenticity of art that bears no original. The implication is that once the original is lost or destroyed, so has the authority.The definition of authenticity is also dependent on its assumption of history and tradition. The authenticity of a thing, Benjamin exp lains, is the essence of all that is transmissible from its beginning, ranging from its substantive duration to its testimony to the history which it has experienced. (221) Authenticity is related to the lifespan of the work of art. This is the testimony it bears of its enduring quality. In this sense the work of art is an artifact, a relic of past eras, bearing the combinations of historical and social contexts it has survived. The characters in Dracula share a similar view about the delegation of authority to an original. If Dracula can be viewed as the original, then Mina and the gentlemen who help her destroy Dracula represent mechanical reproducibility. Their insistence on eradicating Dracula despite the risk involved arises out a pure belief in the power of the original. They believe that once they have destroyed Dracula, they will purge the world of the evil and the many vampires he has spawned. He is the auratic original; once he is destroyed, so will his authority and authe nticity. When describing the necessity of killing Dracula, Van Helsing emphasizes his uniqueness. With this one, all the forces of nature that are occult and deep and strong must have worked together in some wondrous way. (319) This vampire, more than any other of the Un-Dead has managed to survive centuries due to the combinations of occult forces of nature. He is the original that bears all the marks of history and tradition in his blood. His authority derives from his authenticity and from the testimony of his history in his existence.The vampire-hunters are determined to eradicate their authentic original. Their methods involve technology and reproducing texts. According to Benjamin authority is based on tradition. Two processes lead to a shattering of tradition(221)  ­ the substitution of copies for the original and the closeness of the beholder to the reproduction. Both these developments undermine the traditional functions of art. This shattering of tradition seems to be a good thing. He describes it as a renewal of mankind. (221) By compiling and reproducing texts about their adventures, the characters of Dracula replace the Dracula with copies. In the same way that technological reproduction usurps the authority of the original by virtue of its medium, so do the vampire-hunters. Benjamins labeling this a renewal of tradition is also the way Van Helsing labels their mission. The value of art, therefore, is based on the publics perception of it. As art becomes increasingly detached from its tradition, it becomes more attached to its audience. This is because something is lost in this age of technological reproducibility the objects aura. He does not give a definition of this term, but rather describes it as part of an experience of the unique phenomenon of distance, however close it may be. (223) The aura is desire for proximity of a work of art while simultaneously maintaining a distance. Therefore the aura is a product of distance, or the percepti on of distance by the audience. The distance is caused by the objects uniqueness. With the advent of mechanical reproducibility, that uniqueness has dissolved.Similarly, the characters in Dracula dissolve Draculas uniqueness by creating a text about him and subsequently copying this text. They bridge the gap between this figure and their lives by replacing him with a text of themselves. It is their voices, not Draculas, that the reader knows through the text. The aura, and Dracula, is lost because a distance is no longer there; the audience, and the characters of the book, is empowered through mechanical reproduction. The dissipation of the aura is a product of what Benjamin sees as the evolution of the public. In this vein, his observations have been labeled anthropological rather than philosophical. He labels this audience the masses. The modern public is not concerned with preserving authenticity. The masses want to bridge the differences created by uniqueness. It is the desire of contemporary masses to bring things closer spatially and humanly, which is just as ardent as their bent toward overcoming the uniqueness of everyday reality by accepting its reproduction. (223) The masses want instant gratification. They no longer value the distance a work of art affords them. By accepting its reproduction, they overcome the uniqueness that distance represents. The shriveling of the aura also has another benefit for the audience  ­ the increased opportunity to participate in this new medium. In relation to the printing press and the participation it affords, Benjamin writesWith the increasing extension of the press, which kept placing new political, religious, scientific, professional, and local organs before the readers, an increasing number of readers became writers  ­ at first, occasional ones. It began with the daily press opening to its readers space for letters to the editor. And today there is not a gainfully employed European who could not, in princi ple, find an opportunity to publish somewhere or otherŠThus, the distinction between author and public is about to lose its basic character. (232)The printing press has allowed for any person, from the educated intellectual down to the gainfully employed European to become an author. The proliferation of printed texts has resulted in this blurring of distinctions between the public and author. The reading public now becomes the writing public. By abandoning tradition, mankind has renewed itself, but at the cost of the aura. The printing press has destroyed the aura but it has also generated the energy to write for a public that was denied access to artistic creation because of other considerations. These characters are a good example of this phenomenon. Jonathan Harker more than deserves the title, gainfully employed European. His journal, written in shorthand, the most technical form of English, is the foundation for the text. The characters also blur the distinctions between au thor and public because they each play both roles. They compose the text and are the only readers. They are their own audience. Stoker problematizes this relationship to the printed text. Dracula celebrates these new techniques of disseminating and organizing information, yet those who use it seem comical in their almost religious zeal in using these tools. Mina, the embodiment of this phenomenon of compulsively typing and copying, remarks, I feel so grateful to the man who invented the ÂÅ'Travelers Typewriter and to Mr. Morris for getting this one for me. I should have felt quite astray doing the work if I had to write with a pen. (350) She writes this as she and Van Helsing are in the midst of Draculas exotic and foreign country. It is filled with superstitious natives and lacks the accouterments of any kind of technological innovation. Her only joy is the use of a machine, this Travelers Typewriter, the only vestige of the burgeoning manufacturing industry taking over Europe and transforming Western culture. A pen, itself a medium for human presence, would have made Mina feel quite astray. The only way to organize and convey information is by the use of this machine. The reliance on mechanical production for disseminating information is fetishized for Mina, and by extension, modern culture. Benjamin describes this reliance on producability as the Genesis of an era in which art will no longer be the same. The loss of the aura may be a renewal of mankind but it is not a good development for art. Stoker addresses this fear in this passage. Mina, in the process of losing her humanity and becoming a vampire, relies so heavily on the typewriter and its dehumanizing affects. The pen, while still a mediated form, displays the uniqueness of the human presence in handwriting. Humanity then begins to mirror the mechanics of production by becoming systematic and exact. This reflects the influence of modernity on writing. Relics of modernity litter the novel: there are Kodak cameras, bicyclists, messengers bearing telegrams, Winchesters, etc. Technology is a pervasive force in their world. They value it for their destructive purposes, but they are also in awe of it.These vampire-hunters feel a need to record everything as accurately as possible. By recording these supernatural events through these mechanical tools, these English characters maintain a control over a force that makes them feel increasingly powerless. Seward at one point says, Jonathan Harker has asked me to note this, as he says he is hardly equal to the task, and he wants an exact record kept. (329) Harker, like Mina, reveres the act of recording and organizing information. This desperate attempt to keep an exact record seems the only way to conquer Dracula. As the original, Dracula must be destroyed through the means of technology, by methodically recording and systematizing his movements and history of events. The vampire-hunters seem to crave and foster this disembodied commu nication. They do not think twice about using all these new and advanced gadgets. The letters between Lucy and Mina, the diaries, Sewardss mechanically reproduced voice all get compiled into one text. Mina, in the name of expediency and noble cause, assimilates all these traces of human presence into many copies of a typewritten manuscript. Their words, now in the shape of uniform typeset characters, lack any mark of individuality or human origin. Mina is the printing press and Dracula is her text, both literally and figuratively. In reflecting ambivalence towards modernity, Dracula also resists any type of neat analysis. The text itself is multi-layered and ambiguous and forces the reader to see both perspectives of this phenomenon. In Vampiric Typewriting: Dracula and Its Media Jennifer Wicke comments on Draculas use of modern media to both compose and destroy itself. What makes this texts so modern, she explains, is that it knows that it will be consumed  ­it stages the very a ct of its own consumption, and problematizes it. (491) The book is a very self-aware text. It knows it is the product of mass-reproduction, yet can also maintain a critical view about the process. Stokers own act of writing the book and the events of the book seem an endorsement of technological reproducibility. It is the meticulousness of the group and their undying loyalty to recording the text that aids them in destroying and eradicating Dracula. The text addresses the fear of technology but it also affirms the need for technologizing information. When Dracula has attempted to impede his hunters by burning the diaries and phonograph recordings, they are relieved to know there is still a copy of the manuscript in the safe. About this incident, Wicke writes, this fortuitous reclamation of their labors, and also for the text held in the hand of the reader, all too ironically derives from a copy. If copying is the inevitable fate of the mass-produced, here it is also the salvation. ( 490) The reader must now acknowledge that their text is a copy of a copy. The originals have been destroyed, but somehow the text still maintains authority. The texts existence as a copy of the record of a methodical bunch of Brits is tribute to their tenacity as writers and recorders. If Dracula is the original possessing the aura, this text is the modern version, possessing its own auratic qualities.In her essay Wicke shows that there is a connection between the sexy act of vamping and such prosaic labor of typewriting. (467) In the same way that a vampire sucks the life out of its victims, the typewriters blends all the human voices of the text into one, uniform, dehumanized form. Count Dracula is analogous to the social force of mass culture  ­ the developing technologies of the media in its many forms, as mass transportŠ. image production and mass-produced narrative. (469) The text is about consumption and the use of these new media, vampiric though they may be, in the pro duction of texts.Mina, through her use of new media, consumes Dracula through the text and becomes the author of it. Wicke comments that after Dracula bites Mina, she also consumes him but without longing, without desire, and with her cognitive faculties intact. Ever the sound-minded woman that she is, Mina still retains consciousness of herself in the midst of consumption by and of Dracula. In fact, she seems to posses deeper insights into Draculas whereabouts and is given more authority in the text. Wicke comments that Mina becomes more and more the author of the text; she takes over huge stretches of its narration, she is responsible for giving her vampire-hunting colleagues all information on Draculas whereabouts. (485) Because Mina has entered into the realm of consumption, the text is hers. She consumes Dracula as the auratic original through the text and physically as a vampire. Or, as Wicke phrases it, vampiric typewriting. However, Dracula can also be viewed as the epitome of consumption. Wicke comments that the texts action absolutely depends on the inclusion of mass-produced testimony; it absorbs these extraneous pieces within itself just as Dracula assimilates the life-blood of his victims. (474) Therefore Dracula is also the sight of assimilation of differences. He is the unique original, yet he also contains multitudes. There is a kinship between the texts mass-produced testimony and the testimony that Dracula bears of his history and tradition. The text, an instrument of consumption works to eradicate the original consumer. Hence Wickes conclusion that Dracula mounts a search and destroy mission against itself. (491) The text works through its own anxiety about the nature of mass-production and mass culture. Stoker complicates and enriches the modern dilemma by presenting his readers with a text that knows itself so well it both celebrates and criticizes its media. The text shares similar ideas about art also presented by Benjamin. Both texts se em t present art in the age of mass-production as a somewhat lethal and threatening force. It is consciously consumptive, sucking the life out humanity and infusing it into its reproduction. Life, memory, and art in the end only amount to a mass of typewriting. But it is a clever and self-aware mass.